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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
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CONTEMPORAIN - NEW A…
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Non classifié
333
PIANO & CLAVIERS
Piano, Voix
300
Piano seul
174
Piano Facile
84
Orgue
20
Piano Trio: piano, violon, violoncelle
14
Instruments en Do
12
Piano, Voix et Guitare
10
1 Piano, 4 mains
8
Accompagnement Piano
4
Orgue, Trompette (duo)
3
Piano grosses notes
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
18
Guitare
12
Ukulele
5
Basse electrique
4
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
2
Mandoline
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
16
Voix Soprano, Piano
11
Chorale TTBB
10
Voix Tenor, Piano
9
Voix Baryton, Piano
6
Chorale 3 parties
4
Chorale SSAA
3
Voix Soprano, Orchestre
2
Voix haute
2
Voix moyenne, Piano
1
Voix basse, Piano
1
Chorale
1
Voix haute, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte traversière et Piano
55
Clarinette et Piano
38
Hautbois, Piano (duo)
31
Flûte, Hautbois, Clarinette, Basson
30
Clarinette
27
Quatuor de Clarinettes: 4 clarinettes
27
Quintette de Saxophone: 5 saxophones
24
Saxophone Soprano et Piano
24
Saxophone Tenor et Piano
23
Saxophone (partie séparée)
23
Saxophone Alto et Piano
22
Flûte traversière
21
Clarinette (partie séparée)
20
2 Saxophones (duo)
20
Quatuor de Flûtes : 4 flûtes
20
2 Flûte à bec (duo)
13
2 Flûtes traversières (duo)
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Hautbois (partie séparée)
11
Cor anglais, Piano
10
Ensemble de Clarinettes
10
Clarinette Basse, Piano
9
Saxophone Baryton, Piano
9
Flute (partie séparée)
9
Saxophone Alto
8
Flûte, Clarinette (duo)
8
Ensemble de saxophones
7
Hautbois
6
Trio de Flûtes: 3 flûtes
6
Quatuor de Flûtes à bec
6
2 Clarinettes (duo)
6
Saxophone
5
3 Clarinettes (trio)
4
Piccolo
4
Quintette de Clarinettes: 5 clarinettes
4
5 Flûtes à bec
4
Flûte, Clarinette, Piano (trio)
4
Saxophone et Guitare
3
Harmonica
3
Clarinette, Basson (duo)
3
3 Saxophones (trio)
3
2 Saxophones, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette et Basson
2
Flûte à bec Tenor
2
Flûte à bec Soprano, Piano
2
Flûte, Basson et Piano
2
Flûte à bec, Guitare (duo)
2
Flûte, Hautbois, Piano (trio)
2
Ensemble de Flûtes
2
Cor Anglais
2
Flûte à bec Soprano
2
Saxophone, Clarinette (duo)
2
Flûte et Guitare
2
2 Hautbois (duo)
2
Flûte, Violoncelle
2
Hautbois, Clarinette (duo)
2
Flûte à bec Alto
2
Flûte, Saxophone (duo)
1
Ocarina
1
Flûte à Bec, Piano
1
Hautbois, Basson (duo)
1
Saxophone, Basson (duo)
1
3 Hautbois
1
Flûte, Violon, Piano
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Basson
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Violon
1
Clarinette, Violon (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Piano
1
Flûte, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trompette (duo)
1
Saxophone Tenor
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trompette, Piano
35
Trombone et Piano
31
Trompette
25
Cor et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quatuor de cuivres: 4 cors
21
Quatuor de cuivres: 4 trombones
20
Cor
18
Trombone
17
Quatuor de Cuivres
17
Trombone (partie séparée)
17
Euphonium, Piano (duo)
16
Ensemble de Trombones
15
Tuba
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Tuba et Piano
11
Ensemble de Cors
10
Cor anglais, Piano
10
Cor (partie séparée)
10
Trompette (partie séparée)
8
Tuba (partie séparée)
7
2 Trompettes (duo)
7
Trio de Cuivres
5
Quatuor de cuivres: 4 trompettes
5
2 Trompettes, Clavier (piano ou orgue)
4
Trompette, Trombone (duo)
4
2 Cors (duo)
4
2 Trombones (duo)
4
Cornet A Pistons
3
2 Euphoniums et 2 Tubas
3
3 Trompettes (trio)
3
4 Tubas
3
3 Trombones (trio)
3
Cor Anglais
2
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Basson (duo)
1
Tuba et Orgue
1
2 Tubas (duo)
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Trompette, Cor (duo)
1
3 Cors (trio)
1
Ensemble de Trompettes
1
Euphonium
1
4 Euphoniums
1
Cor, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violon et Piano
71
Violoncelle, Piano
46
Alto, Piano
39
Violon
34
Violoncelle (partie séparée)
23
Violon (partie séparée)
21
Violon, Violoncelle (duo)
19
Alto seul
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
2 Violons (duo)
14
Harpe
13
Contre Basse
8
Alto (partie séparée)
8
Quatuor à cordes : 4 altos
7
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
6
2 Violoncelles (duo)
6
Contrebasse, Piano (duo)
6
4 Violoncelles
6
Violoncelle
5
Violon, Alto (duo)
5
2 Violons, Piano
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
3
Contrebasse (partie séparée)
3
3 Contrebasses
2
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Harpe et Piano
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
113
Ensemble de cuivres
37
Orchestre à Cordes
34
Orchestre
28
Orchestre de chambre
13
Percussion (partie séparée)
6
Timbales (partie séparée)
5
Quatuor à Vent : 4 instruments à vents
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
2
Fanfare
1
Marimba
1
Batterie
1
Cloches
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Richard Wagner
Guitare
Partitions à imprimer
12 partitions trouvées
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1
Short wedding motif for guitar solo (based on Mendelssohn and Wagner)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelsso…
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Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Classical,Romantic Period,Wedding. Individual part. 1 pages. David Warin Solomons #3541615. Published by David Warin Solomons (A0.578128). This little solo was originally used as an introduction for a song for my parents' 40th wedding anniversary,
$4.00
3.73 €
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Guitare
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Felix Mendelssohn, Richard Wagner
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David Warin Solomons
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Short wedding motif for guitar solo
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David Warin Solomons
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SheetMusicPlus
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
Guitare
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, down…
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
$2.99
2.79 €
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Guitare
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Guitar Solo
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Musicnotes
Wedding March
Guitare
Guitar - easy - Digital Download SKU: S9.Q44865 From: Lohengrin. Composed by…
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Guitar - easy - Digital Download SKU: S9.Q44865 From: Lohengrin. Composed by Richard Wagner. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44865. Published by Schott Music - Digital (S9.Q44865). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.79 €
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Guitare
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Richard Wagner
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Martin Hegel
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Wedding March
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Schott Music - Digital
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SheetMusicPlus
Prelude to Lohengrin
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #32829. Published by Maggie Creek Music (A0.899125). Arrangement for solo classical guitar; 5 pages; includes chords and notes on the form of the piece; published by Maggie Creek Music.
$9.00
8.4 €
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Guitare
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Richard Wagner
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Rod Whittle
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5 pages
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Klassische Loog Gitarre
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beet…
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Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period. Individual part. 28 pages. Javier Marco #6357209. Published by Javier Marco (A0.842801). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).In Tabulatur und Noten.Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Chorfantasie, Op. 80Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gutâ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147La Donna è MobileMenuett, BWV Anh 114Ode an die Freude, Op. 125la Primavera, RV. 269Pomp and Circumstance March Nº1, Op. 39Tannhäuser OvertureTreulich geführtWater Music, HWV 349
$9.99
9.32 €
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Guitare
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Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart
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Javier Marcó
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Klassische Loog Gitarre
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Javier Marco
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SheetMusicPlus
Prelude to Parsifal
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #3141147. Published by Maggie Creek Music (A0.899130). Solo classical guitar transcription 4 pp.
$7.00
6.53 €
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Guitare
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Richard Wagner
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Rod Whittle
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Prelude to Parsifal
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Maggie Creek Music
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SheetMusicPlus
Prelude to Lohengrin
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #3037171. Published by Maggie Creek Music (A0.899128). Transcription for solo classical guitar. 5 pages. Study arrangement.
$9.00
8.4 €
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Guitare
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Richard Wagner
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Rod Whittle
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Deux élégies
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2324. Published by Les Productions d'OZ - Digital (ZZ.DZ-2324). ISBN 9782897372415.
$3.95
3.69 €
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Guitare
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Claude Debussy and Richard Wagner
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Tristan Manoukian
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Deux élégies
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Les Productions d'OZ - Digital
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
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Guitare
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Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
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